Showered with Knitted (& Sewn!) Love

Left to Right, Top to Bottom:
First Row: February Baby Sweater (Mary Heather); Footie Washcloth (Amiee); Alsace Le Monsteur Hat (Marnie)
Second Row: Garden Mobile (Mary Heather); Psychadelic Blankie (Kat);
Third Row: Saartje's Booties & Jacket (Jennie); Sleep Sac (Mary Heather); Reversible Bibs (Amiee)
Fourth Row: Townes takes possession of MH's Mobile; Burbcloths (Lori)
Fifth Row: Alsace Le Monsteur (Marnie); Soaker & Garden Snail (Shannon); Fabric Play Blocks (Amiee)
Last Row: Jungle Quilt (Ellen); Handspun Kimono Vest (Lori).

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I hate to admit it, but in my impregnated and over-worked state, it is pretty much all that I can do to gather, re-size, watermark, link and code these photos. Perhaps it is time to stop coding absolutely everything by hand and look into automating it by baby time! I think that this bounty of handmade love pretty much says it all (though there is also quite a bit of incredible store-bought love that accompanied it as well). Eventually, I would love to put up a gallery of all the hand knit, crocheted and sewn items that this baby accrues, both from myself and from friends. It's such a wonderful part of the history of a new little life. Whether this - and all the other things I have planned - will ever get off the ground is questionable, but the blog post is a start.

I cannot begin to tell you how overwhelming it has been to have so much support from my crafting friends, both known to me and in some cases, unknown. The gift of a handmade item is an amazing thing, and I will be comforted and feel loved every time either I or the baby uses these amazing treasures. The thought that he will be surrounded by soft, unique toys and clothes that carry the spirits of their makers rather than the usual battery-operated plastic makes me feel like we will be starting him off on the right path. Hopefully I can gather strength from all of you in those first sleepless months. I am also truly grateful for all who have commented on delivery and baby care. I haven't even corresponded with many of you, and yet you have taken the time to leave heartfelt and helpful advice in a time when it is much needed. I love that about blogging - it means that you are always surrounded by friends, whether you are fully aware of it or not. I hope that no matter how busy family, craft and work make my life that I will remember to take the same time and care for you and that we teach this baby the same generosity of spirit through our example and yours.

Okay, I think I'm making myself a little verklempt - must be those hormones - but you get the picture:

Thank you, THANK YOU, Thank you.

Pattern Notes: Baby Bell Bottoms

I have gotten so freaking lazy about the blog and pattern notes in particular, that it is a little embarrassing. I've been even worse about visiting my pals' blogs and commenting, and I realize that staying in touch with all of you means catching up a bit here and making my rounds, both of which I want to do and have missed doing. It seems like summer is often the slow bloggy season for me, and this one has been especially slow with work, our trip to Italy, and most of all the impending baby. In a lot of ways I like that count down widget on my blog, but I have to confess that at other times it freaks the hell out of me! It's funny how predictable the phases of pregnancy are. First trimester is excitement, disbelief, and constant battling with morning sickness combined with an obsession to eat healthily and get the most out of every little calorie you can keep down. Second trimester is the honeymoon phase - which was well-timed for our honeymoon in Italy - you feel incredibly strong and sexy despite the fact that you are beginning to look like you swallowed a basketball - romance is in the air and you are one with the universe, mother earth as it were. Then comes the third trimester, and like clockwork, the panic of actually having to deliver the basketball sets in. Two weeks into my third trimester now, I look down and simultaneously think how great it is that the baby is growing so well and how much I hope that he grows only to the requisite 7 to 7.5 pounds because I can't even fathom getting him out of me now, when he probably weighs in at 3 pounds! I'm experiencing utter disbelief that this is actually going to work as intended, and words like "tear" and "contraction" cause me to immediately cross my legs and go into denial. I've been second-guessing the whole earth mama no drugs natural birth that I've been contemplating (I hesitate to say "planning," both because I am open-minded in terms of the epidural and because I know full well that babies do not allow you to "plan" anything!) I want to do it if I can, and I think that I can manage for the birth itself, but the thought of having an episiotomy without drugs scares the shit out of me. My doctor does all that he can to avoid them, but there's that no planning thing that comes into play, so I fear that I can't count on not having one.

It's a boy! And these are his pants!

Anyhoo, I'm beginning the parade of finished but unblogged objects with a real favorite of mine - Alison Hansel's Baby Bell Bottoms. These are the second pair of baby bells that I've made, and the second pair that have gone undeservedly without pattern notes. They are an absolutely great and fast knit. Both times that I made them I was in a bit of a knitting funk, and both times they were the "go to" knit that pulled me out of the funk. Last time I made a pair for my friend Jen's impending baby Graham, and this pair is for our little baby boy. Oh yeah - did I say we're having a boy? We're having a boy! Kay was right on the mark. No pansy binky for us - I'm crocheting a 100% "pensie" binky!

Baby Bell Bottoms
Free Pattern
designed by Alison Hansel
Jen's pair knit with 1.8 skeins (188 yards total) of Artyarns Supermerino (100% superwash merino) in colorway 101;
Our pair knit with 1.2 skeins (125 yards) of the same, with .25 skeins (31 yards total) Rowan's Wool Cotton (50% Merino Wool/50% Cotton) in (956) "Coffee Rich" used for the cuffs and waist.
Both on size US3 circulars - Addi Turbos (3.25 mm) and Inox (3.00 mm).
Gauge: 5.75 sts and 8 rows per inch over stockinette stitch.
Size: Jen's are size 6 months; mine are newborn size (not nearly as practical, but I wanted to use the yarn!)

Jen's baby's bells.The Pattern:
I love this pattern, and I already have plans to make it again. It's very easy but turns out an incredibly cute pair of pants. I like the idea of knitting baby pants, because they are slightly different from the usual knitted baby gifts - blankets, booties and sweaters. (Which I also love, don't get me wrong! Variety is nice, though.) The pattern is so straightforward that there isn't much to say - just that I highly recommend it. Go forth and knit a pair!
Techniques:
advanced beginner techniques - cast on, knit, purl, minimal shaping, working in the round, binding off, whip stitching, and braiding cord.

Modifications:
The only mods I made were to use a different yarn, work on two circulars for the body, use a different seaming technique for the cord casing, and substitute I-cord for braided cord.

In regard to the two-circular knitting: Try as I might, socks have never "soared" for me on circular needles. This has always been a sad thing, because I really like Cat Bordhi, and I would love to be all new-fangled in my sock-knitting. Not so shockingly, I am quite the traditionalist and do just fine knitting socks with four DPNs. (Not five - that bugs me, too!) My motto has been much closer to "Socks suck on circular needles!" Baby bell bottoms, however, are a completely different story. They are worked in the round after the legs are joined, and when I got to that point I realized that if I did have a pair of 16" size 3 circs I sure as heck did not know where they were. I was able to find two 24" size 3's however, and those did the trick quite nicely. Because one pair was inox and the other addis there was a .25 mm difference in the 3's, so in addition to having the chance to employ the two-circular method I was also able to verify Elizabeth Zimmerman's theory that it matters not a whit if one of your needles is of a slightly different size. Always good to know. Of course, you don't have to test out either of these methods to make the baby bells, it's just all by way of chattiness that I'm discussing them here.

For the casing, I left the edge stitches live rather than binding them off and sewed down the stitches. It's more trouble for the beginner, but this is the only type of seaming I use on casings because it eliminates some of the bulk. Just a matter of preference.

Folded up until D-day.Finishing:
Very little. Mattress stitch for the legs and sewing live stitches for the casings.

Impressions of Artyarns Supermerino:
For a girl with a lot of yarn I have an incredible propensity to use the same yarns over and over again. When I find something I love, I stick with it. And when I have used some of my stash of a particular yarn I have an almost obsessive need to use every bit that I have left, as is definitely the case with wool cotton below. I had three skeins of Artyarns Supermerino, so I used all of it, calculating that I would have enough to make newborn sized pants with the remainder if I used a contrasting color for the cuffs and hem. My baby's bells took care of two remnants at once, which was very satisfying.

Every time I use Supermerino it comes through for me. It's a great "rut" yarn and comes in fun variegated colors. Prior to this I used every bit of my stashed Supermerino in colorway 111 to make a Chevron Scarf. I loved it then, too.

Impressions of Rowan's Wool Cotton:
This is my go-to yarn. I use it more than any other, and especially for baby things. It is soft, classy, classic, has great stitch definition, and is machine washable. Plus it comes in a lovely array of adult colors. I'm not really a pastel girl, so this is a good choice for me.

Possible substitute yarns:
A ton. See what other people have used - Ravel it!

[Read all entries on the Baby Bell Bottoms.]

First Handknit Gift for Baby

I got an amazingly wonderful package in the mail today - all the way from France! MJ showered us with adorable socks, long-sleeved onesies, a Phildar knit and crochet book of toys, a lovely watercolor, and the crowning jewel, a gorgeous handknit sweater! I am so lucky to have such a generous, talented friend. Thank you MJ!

A little bit of France for us....

I have two FO's for the baby myself, which I have been terribly remiss in not sharing (soon, I promise!) and one handspun Tomten Jacket on the needles that is well on its way. But there is something truly wonderful about handknit gifts. I love giving handknits, but I am still shocked at how wonderfully touching it is to receive one myself. This is going to be one stylish baby.

Edited to add: You can find the ingenious free Drops pattern for this sweater here.

Salve Bellas! Photos from Italia

Clockwise from top left: Us on the terrace in Vernazza; Horse by the Spanish Steps with a crocheted head dress; M basking in the sun in Vernazza harbor; Vernazza from above; Me & Mishka at Trevi Fountain; Me in Venice; the Colosseum; Us in the Bardini Gardens of Florence; M at Trevi Fountain; Florence's Duomo; My baby belly at Trasimeno lake in Umbria; Vernazza Harbor; Stoic Cats in the Bardini Gardens.
Most photos are clickable, but the ones of Moxie aren't.

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We're back! Both tired and happy. It was a wonderful romantic trip and a great way to steal some time for ourselves before the little bundle of joy hijacks our lives. Many knits were worn, and some were photographed. The little snippet of pink in the first photo is the River Stole, Mishka made it to the Trevi Fountain and Rome, the Daktari Skirt strolled through Florence, and several sweaters kept me warm in chilly Venice.

I had originally hoped to finish the Bubble Pullover prior to our trip, thinking that at least Venice would be sweater-worthy. When that didn't happen, I realized knitting memories are created on trips even more than before, and that I would probably enjoy making the Bubble Pullover in Italy more than I would enjoy rushing through it to wear it there. I'm still not quite done. I have about five and a half inches of collar left to knit, two sleeves to seam together and buttons to sew on. I'm going to savor the process and finish when I do. I won't be able to actually wear this big alpaca sweater until late fall, regardless. It has been a lovely journey as well - my first Norah Gaughan pattern after years of admiring her work. And the Misty Alpaca yarn is heaven. I'll try to get some decent progress shots so that you can enjoy it, too.

The Bubble Pullover may well be the only knit just for me this year (gasp!). I have several projects for publication that I'm working on this summer and I'm going to sneak in some baby knits where I can before D-day. I have a feeling that the end of the year will get swallowed up by a screaming, pooping, boob-wrecking baby who has already stolen my heart.

Knits for an Italian Honeymoon

Well, a pregnant Italian honeymoon. If you've known me since the early days of blogging, you know that our honeymoon was supposed to happen four years ago in Italy. Time and money have gotten in the way, but as soon as I got knocked up I was determined to go to Italy this spring, even if it meant waddling through Rome! Happily, I am not nearly as large as I envisioned at this point, so if the kid can manage not to balloon me out for another month, it should be a pretty easy trip, pregnancy-wise. In preparation for the trip I've been going through my closet to find things that fit with room to spare, because I have a feeling that all that wonderful Italian food will aid in the expansion campaign. Happily, I have much more than I thought because, wonderful things that they are, knits stretch! I'm so glad I tried things on rather than assuming I didn't have anything. The shopping can be confined to Italian shopping - the best kind.

Knits In Action!
Top to Bottom, Left to Right: River, Birch, After Dark Nightie, Pia (top) & Daktari (skirt), Japanese Motif Skirt (Marnie), Nautical, Deciduous (Marnie), After Dark Nightie ('cause it shows off the bump)

Now I realize that it's no big shocker that the shawls fit, but it is nice to have them to accessorize the cute little empire waist dresses that have over-run my closet. (This one is from J-Crew, and may technically be a beach cover-up. Ask me if I care.) I have a little snippet of lingerie that I've been stuffing myself into, but it's short, so the belly makes it looks ever more ridiculous. The after dark nightie is much more forgiving. The skirts were a bit of a surprise. Marnie lent me the Japanese motif skirt when I visited her in March, and lamented the 40 inch waistline - how fortuitous was that? Fabulous and tons of room. The Daktari skirt still has a lot of play, too. The tops were probably the biggest surprise. Pia is still a little big on me without a blouse underneath it - a testament to how off the sizing was in the first place - and nautical fits perfectly with the aid of that fabulous invention, the yoga skirt. (Seriously back-ordered, but worth the wait if it appeals to you. I have two!) Deciduous is probably pushing it, but with a bella band I could probably manage that, too. Absolutely nothing I'm wearing is maternity. (And I'm showing more than in these pictures - my waist is 7" greater in circumference than it was when this all started.) Between yoga-wear and those adorable waistless dresses everyone is wearing, I've only gone to maternity for things like jeans and shorts. Normally I can't get anywhere near one of those empire waist dresses that pouf out below the bust because they make me look pregnant. Now that I am pregnant, they rock. Comfy, too.

The next time you see these knits of yesteryear they'll be in front of Italian architecture. Yay!

Definitely Tomten

Merino "Burning Bush" 2-Ply and Baby Alpaca 2-Ply. Baby bliss!

Work has kept me extremely busy, and when I'm typing away at my keyboard so much, one of the last things I want to do in my free time is type away at my keyboard (or read anything). When I have had a free moment, I have either crocheted a pansy or spun, spun, spun. As a result, the handspun that I talked about in this post is finally all spun up, and some of it is even knit up. No time for any more designing than I already have going on here, so it's definitely Tomten. Plus EZ's designs are all somehow perfect for handspun, don'tcha think?

Handspun and the bottom half of the Tomten Jacket.
Babies seem just impossibly small!

The Amazing Disappearing Belly

Okay, you guys are probably going to be sick to death of my pregnancy soon, but this is just too funny. I really am at a stage where the tum is nearly invisible from the front but very visible in profile. M took some photos of me this weekend, including several in front of the mirror in the girls' room. He literally made me stop on my way out on Saturday and said, "Wait til you see these, they'll blow you away." He was right - too funny!

One of me has a belly, the other does not!

I am no longer a victim of belly envy, either. This "disappearing belly" is unlikely to last long, and just between last weekend and the weekend before I have totally pooched out. The growth spurts definitely happen in waves. I can already tell that full bellyville will mean discomfort and trouble sleeping (gasp! this is my favorite activity right now!), so I'm fine as is. Next time back to our regularly scheduled knitting/crocheting/spinning - promise!

The Progress of Pansies

Sometimes I wonder if Miss Marnie thinks that I can keep up my enthusiasm for crochet in her absence. I have to admit that it is very fun when she is around, because I have someone who can instantly show me how to fix all the things that I screw up. But it is definitely spring here (some might say summer in the desert given the temperatures that we've had the past few days), and all the little seedlings in my container garden have popped their heads up while the more established perennials are in full bloom. So, it's time to pull out the hook again and make some pansies...

The entire "collection" of twelveThis does not promise to be a quick project, crochet or not, and doubtless by the time I have crocheted enough of these little flowers to pull together a binky (a binky, mind you, not a full-fledged blankie) I will probably never want to see another pansy again. But my plan is simply to continue at a slow, steady pace, and finish after I'm done making the baby if I have to. I figure these are a good pick up project, since the pansy shape is easy to memorize, so I will just keep materials on hand to pick them up here and there.

Marnie convinced me (by example, not by persuasion) that the "best" method for working this binky would be to work all the flowers first and then link them together afterwards in the manner most pleasing to me. Although I fear it, this does give me a lot of latitude with the final design. I can go square, oblong, or amoeboid at will and play around with the border a bit. So for now I'm simply creating the pansies one at a time and trying to arrange them in a pleasing manner.

With five colors to work with, I have what I think amounts to 55 different color arrangements for the pansies. Being the crazy gal that I am, I'm going to make a point of doing each and every one at least once, though. I have noticed that there are definitely color combos that work better for me aesthetically. Working under the Mason-Dixon theory of brights and dulls, it is quickly apparent that the dulls do, in fact, make the brights pop, and that leaving the brights together works pretty well, too, but when you get dull on dull - basically putting the lavender and olive together - not so much. Maybe those with subtler expectations will like those flowers better, but I do have to admit to loving the "pop."

I was pretty deliberate in my color choices on this one. I would have loved to pick up some reds, pinks and oranges (still would - wouldn't that be lovely?) but those colors scream "girl!" to me and as much as I would have liked to crochet this for a girl, this was definitely my baby's binky and I didn't know the baby's gender when I made the color choices. So... these are the most gender-neutral pansies I could muster. The brown and the olive ground it all, and the yellow, purple and blue keep it pretty. It has the subtle sophistication that I was going for in a pansy blanket, but I still can't help thinking wistfully of those oranges, reds and pinks....

Are these pansies for a girl?
Or pansies for a boy?
Any guesses on the baby's gender?
Those of you who know, keep hush!

I don't know how many of these little suckers I will have to make to get the binky to a respectable size, but I'm thinking I will just go until I only have a third of a skein of each color left (other than brown - there's lots of brown). Maybe I should have a little contest to see who guesses the final number right. Any advice on the proper dimensions of a Linus binky? I'm all ears, or perhaps all pansies.

Edited to add: For those who have asked, here is a link to the Japanese motif dictionary that contains the pansy pattern.

Belly Shots Anyone?

Not exactly like your college days, huh?* I'm guessing there will be many a perverted googler seriously disappointed by these shots, but I'm finally showing, so I just have to show you:

Can you see it?

How about now?

I'm at 5 months on Tuesday - yay! - and even now I don't really show unless I'm wearing something fitted or maternity clothes. I'm having some serious belly envy, but I'm sure that I'll catch up soon. For now, the important thing is that the baby's growth is on target and the amniocentesis came back negative for the birth defects, which is a huge relief. I have a little FO to share as well, but my blogging has been so sporadic that I decided to save that for another post. I hope everyone out in blogland is doing well - I've really missed posting and reading you. Time flies when you are making life. **smile**

*I don't know what you gals did in college, but I have never done belly shots before these. I spent my college days running and knitting and going to bed at 10:30 for fun. Pretty much the same life I have now!

Best Friend Makes NPR Morning Edition

One of my oldest, dearest friends has long been upset about the housing bubble. The proposed bailouts put him over the edge, so he decided to stop fuming and do something about it by rallying housing bubble bloggers together and starting a grassroots movement to give media attention to the issue. Today, some of that hard work paid off when he and two others were interviewed for a segment on NPR's Morning Edition. I cannot tell you how proud I am of the work that he has done. There is a lot more to do, but even getting the media to focus on the fact that there is more than one side to this issue is a big deal.

Go to the website! Listen to the interview!
Support the cause! Take a button!

I have sympathy for the individual homeowners who were duped into buying houses by banks who knew better. As someone in her late 30's who has worked hard and saved money and still not been able to buy a house, I understand how tempting it is to trust a bank when it tells you that you really can afford your dream home. They're professionals, right?

Unfortunately, the innocent uninformed purchasers make up a very small portion of those who will be bailed out. The lion's share will go to brokers, bankers, developers, speculators and opportunists. Even worse, with housing prices artificially propped up, many people who have saved diligently will be priced out of the housing market (because salaries are definitely not inflated!) and pay taxes for that privilege. This will affect people in a very wide swath of the economic spectrum. The very rich will still benefit, but even people in the upper-middle class will be unable to afford houses. Minorities, who are disproportionately under-represented among homeowners, will now have an even more difficult time purchasing a home. The gap between haves and have-nots will once again be widened, and for what purpose? So that wealthy people who have been dishonest and taken advantage of the system can continue to be wealthy and take advantage of the system at the expense of responsible, hard-working people who actually saved money to buy homes they could afford. Is this really what we want to do? There has to be a better way!

Clearly, this is an issue that is as near and dear to my heart as it is my friend's. You may disagree with our views, but shouldn't we at least have a voice in the media -- and more importantly with our representatives in the government? Isn't there a way that we can have a dialog that will result in help to the innocent and responsible citizens of this country without giving an unnecessarily huge windfall to those who took advantage of them in the first place? Even if this isn't your goal (or if you think that a bailout can accomplish this), I hope you will take a look at my friend's website, and his links to articles and bloggers who can give you a fuller picture of this side of the issue. If you are in favor, please grab a button. The more attention the issue gets, the more likely it is that the mainstream media and politicians will take notice and consider the issue.

Okay, peace out. No flames, please, but otherwise comment as you will. I am happy to hear from everyone.

Adventures in Spinning: She Learns to Sample

I have really missed writing to you guys. It feels like time is moving so fast with this baby, and work is so busy that everything is just passing me by. There is so much that I want to document - in both my knitting and pregnant life - and somehow the opportunity eludes me. There are times when I don't write because I don't feel like it - usually I get tired of hearing my own voice and just need to go away to have something new to say - but this has been an involuntary hiatus. If I could I would stop time and just sit here and fill pages.

Cherry and Burning Bush singles - note the lightness in the singles to the far right which came from the "inside" of the roving.

When work is done I am usually tired enough that I can't do anything that requires math, deep thought, or being at the computer. (I have pregnancy brain so badly already that I went into the bathroom at the obygyn's office to give a sample - not because I had to go but because they needed a sample - and just completely forgot to pee in the cup. It wasn't until I got all the way back and the nurse asked about the sample that I realized I had forgotten. D'oh!) This lack of brainpower has translated into time spent spinning and knitting very simple things.

The spinning has been fantastic (the knitting has also been quite satisfying). I have some gorgeous merino/silk (80/20) roving from Spunky Eclectic in the Burning Bush colorway, that I decided I wanted to spin to make something for the baby. Surfing around on ravelry, I found this beautiful Baby Surprise Jacket done in 2-ply Burning Bush handspun, and fell positively in love. I decided that I would spin my roving up into a 2-ply for a Tomten Jacket. (Also an EZ design and kind of similar).

Gorgeous rich alpaca singles - slippery after working with merino silk!

The only issue was that I only had 4 ounces of Burning Bush and I wasn't sure how far that would go. (I really need to start documenting my handspun so that I have a good idea of how much yardage I can expect to get out of a given amount of roving.) To make it go further, I decided that instead of plying it all on itself, I would do one 2-ply of Burning Bush and one 2-ply of Burning Bush and Chameleon Colorworks Cherry or maybe just ply all of the Burning Bush singles with some medium brown alpaca that I have 4 ounces of and make it go really far.

The Burning Bush roving.I should back up and tell you that when it comes to roving, I pretty much do things the exact same way every time, except that sometimes I will spin a singles instead of a 2-ply, and I also vary the weight. I know, so creative! Anyhoo, although I have read all about different ways to use the same roving and combine rovings, for some reason I just have very little patience for spinning a little, plying it, and seeing if I like what I get. Finally it hit me that my method of spinning was a lot like making a sweater without a swatch. When I taught beginning knitting I would always do my best to make swatching fun - both because it is so essential to gauge and because it is such a great way to get your creative juices flowing. I have always made a point of saying that if you don't swatch, your entire sweater becomes your swatch. It's the same with spinning - if you just pick a method and go until you are out of roving, what you've got is what you've got - your sample is your yarn. Sometimes that is great and a wonderful way to just let go. Other times, not so much.

So, after a very cool ravelry discussion on the zillion different things that I could do with these Burning Bush singles, I decided to take some sage advice and actually sample. I am so glad that I did. I knew that both the brown and the red would dominate the Burning Bush colors, but I really had no idea how much. In this case, I really like the bright crazy colors of the roving, so there is no real incentive to mute them with a solid, but in so many other instances, this would be a great tool to have in my back pocket. In one little session of sampling I learned a ton about how to mute or preserve bright color. I also completely changed direction and decided that for this project I would mute the color and use the brown. I really like the red as well, so I may order a few more ounces of Burning Bush to ply with the cherry for some other baby project.

The swatches - brown alpaca and burning bush for now; swirled with cherry for later.

I'm also glad that I followed the sampling sequence that I have. To make sampling fun, I spun up most of the singles for the Burning Bush and Cherry rovings first, and also spun up quite a bit of the alpaca as well. I knew that I would be happy with all of these singles at the same weight even if I didn't end up plying them together, and I also knew that I would have more fun if I didn't have to work through all of the singles after sampling. (Again, impatience.) This would not work when sampling different weights, of course, but since I knew I wanted to end up with fingering to light DK weight, it was a great method for my purposes. My method worked out especially well, because the Burning Bush varies quite a bit in intensity, getting much lighter near the "inside" of the roving. When I actually get to the knitting phase, I will counteract that a bit by switching between skeins to get a striping effect.

The sampling part was awesome. I wish I had some shots of the 10 yards or so that I spun so that you could see how different the yarn looks skeined as opposed to knitted. I have plenty more to spin, so I'll be sure to do that later for those of you who are as geeky and new to spinning as I am. I really love both the alpaca and cherry version. Now the only problem is the project. I love the Tomten Jacket and do want to make it eventually (Baby Surprise Jacket, too), but I think for such a special handspun I need to come up with something of my own. We'll see.....

Take Me To Your Leader

All inferior non-alpaca life forms should surrender now....

This is really the beginning of Norah Gaughan's lovely Bubble Pullover, which I have no doubt will be awesome, but at the moment it looks for all the world like a big green alien to me. Well, at least when it doesn't look like an extremely ample (yet green) bosom. You'll have to forgive me on that one, but once you finally have boobies, they get in your head. (One of the great joys of pregnancy - breasts! - who knew these things were so great?)

Seriously, though, back to the knitting. One of my favorite things about ravelry, and flickr, too, is that you can scope out a project ahead of time to see which colorways appeal the most to you. When I made the endpaper mitts I scrolled through tons of ravelry FO's to decide how I wanted to handle the colorway I had chosen. It may not sound complex, but with two colors, there are at least four different variations, and the way that you choose a dominant color really affects the final look of your fingerless gloves. Similarly, with the Bubble Pullover, there were certain FO's that really stood out for me, and invariably those were the ones which employed either heathered or mono-variegated yarn. I ended up not having anything in the stash that really did it for me for this project, so I put the design aside for a while, but then I stumbled on some lovely hand-painted Misty Alpaca (sadly, I believe it is discontinued) and voila! started anew.

A pretty, less extraterrestrial photo of the bubble.

I was a little afraid that the pentagons might bore me to tears, but so far, so good. I'm now on my fourth and still interested. My other fear about this pattern is that it would be difficult to re-gauge (and if you know me, you know that I end up re-gauging everything I knit - this is no exception). In fact, this is probably one of the easier re-gauging jobs I've done. As everyone says, the construction of this sweater is unique. It is not, however, complicated. I don't have any trouble envisioning how it will fit or if it will work. In fact, there is a little part of me that wonders if this will not become the third major route to constructing a sweater - top-down, bottom-up, and pentagonal! No wonder Ms. Norah is so entranced by these shapes - they really can go the distance.

I'm going to stop here, lest I write the pattern notes before completing the pattern. But I do highly recommend this sweater (or one of Norah's other many pentagonal creations) as a good time. I'm making my way slowly through this one (there are baby things to be made as well), but I know I will be so happy to wear it when it is done (well, in LA, several months after it is done). It should serve my not-quite-back-to itself belly quite well next winter. A bubble for a bubble.

Everything's Coming Up Pansies

Well, not everything, but the crochet sure is. I spent a recent weekend in Portland with Marnie, and naturally was once again inspired to crochet. Ms. Marnie is one kick-ass crocheter. It was a fun, whorlwind of a time, as our weekend crafting visits always are, with plenty of things to be inspired by: the excellent Japanese bookstore, a new bright red motorcycle for Leo, and a great trek out to Abundant Yarn for Larissa's debut of Knitalong, her very first book.

To me they look like little pansy balloons, flying away..."

I'm really not sure where to start. Abundant Yarn is just that - abundant! It's an amazing store, and definitely tops my list of all-time favorite LYS's. The selection is fabulous with tons of yarn in each colorway, and the aisles go on forever. Abundant Yarn dyes its own line of yarns which are especially pretty, and they carry many of my favorite lines of yarn along with some lines that were previously unknown to me (or at least untouched!). They also have a lovely cafe and seating area, so it is a very easy place to gather and knit, or gather and watch a friend debut her book! The store catered the event (quite nicely and also abundantly) and there was a huge turnout. I haven't read Knitalong cover to cover yet, but what I have read I have really enjoyed. It's a book that has a great deal of written substance in addition to cute patterns (many by Larissa, like the fast and famous Meathead, and several by Adrian Bizilla - who wouldn't be drawn by that?). For me the writing is what is so great about it. It is definitely a book for our community and our knitting "generation" (and by that I mean the internet knitting generation of the 2000's, including knitters from all age groups). It memorializes our time in a wonderful way, and I am really looking forward to immersing myself in it. It's always great to see Larissa. We didn't try to monopolize her this time around, since she had so many other guests to attend to, but we did catch our first glimpses of Sebastian darting through the yarn in his handknit hat. What a cutie.

Other than that, the weekend was very quick and spent predominantly on the sofa in front of one of Leo's legendary fires, crafting away. I utilized every spare moment of my Marnie time to get versed in the language of crochet charts (I love charts - the universal language!), and produced a pansy and a cute little chain. I think that except for when I encounter the occasional exceptionally difficult manuever I should be alright crocheting solo for a bit. My plan is to make many of these little pansy motifs and string them together in a blanket-like fashion to make a binky for the baby. Nothing very big, as I would surely go mad from over-pansying, just something to hold on to, drag around and enjoy. I love the brightness of the cornflower and lavender colors, but to give the blanket a little sophistication I added in several duller shades as well. The dulls seem to help ground everything, but the brights sure are fun to play with.

Eat for two, breathe for two, knit for two now...

If the title of this post is too subtle for you and you're stuck in some news aggregator, click on over and view my less-than-subtle new and enhanced banner photo. Conceived by yours truly, but brought to life by the artistic hands of Miss Marnie.

This little stinkpot started off auspiciously enough - conceived on our "insurance wedding" anniversary and chemically detected for the first time on New Year's Eve. Since then, however, s/he has seen fit to wreck absolute havoc on her host body, subjecting me to "morning sickness" (that euphemism for 24 hour a day nausea - morning sickness - what a lie!), heartburn, and other various and sundry heretofore unknown ailments, which I will kindly spare you the details of. Suffice to say, that if the mother's illness is as good an indication of the child's good health as is generally reported, this kid is superhuman. (Second, of course, to Cara's baby, who is on a whole other plane!) It's enough to drive me to cross stitch a whole bevy of "babies suck" pillows and fill the house with them.

Happily, with one foot into the second trimester, I am feeling miraculously better - still exhausted, still wrought with food aversions, still moody as hell - but so much better. It's like I'm a new person. Or at least half the old person that I used to be! Strange, huh?

Anyhoo, there will be lots more knitting (at least for six months...), but much of it may end up being the tiny, machine-washable variety. I would promise to spare you the details of this journey in favor of high-quality knitting content, but I know better. The best I can do is promise equal time to crafting and life-creating for the next little while.

That Japanese Swedish Aesthetic

So here's the pretty cross stitch:

Maybe it's just me, but that looks like a snowflake from a wonderful Nordic sweater.

The motif is from a Japanese book called "Stitchworld" that I picked up in Portland when I visited Marnie last May. She has the fortune (misfortune?) of living near a Kinokuniya bookstore. If I want to hit the Kinokuniya here I have to be willing to brave the parking situation. I'm lazy that way, and so able to save a lot of money. Japanese craft books are positively addictive. The original motif is stitched in linen on the lovely tea cozy and napkin pictured below. Since my cross stitch experience is limited to "Babies Suck," I thought it might be prudent to practice on Aida cloth before butchering expensive linen. I was also unable to determine the thread-count on the linen used in the book, so I was concerned that the design might be distorted on the 28-count linen that I have. It is, and I have to say that I do prefer the original, but this version is rather pretty, too. And it could probably be modified a bit to elongate it and give it a more organic feel.

Makes you want to cross stitch doesn't it? I'm ready to embroider the entire house.
Moxie will love this.

Cross stitch is a pastime that I sorely underestimated. There is skill and intellect involved beyond what I imagined. I am finally getting to the point where I can see why I should cross all my stitches in the same direction (there is a spot where I didn't - it glares at me!), and I am learning a little of the game you have to play to stitch from one area to another neatly. It's fun to try to maximize the areas of hatching and back-hatching (my terms) and to figure out how to move from stitch to stitch within an area without having to skip a single space. It's a spatial puzzle, really, and I think it's got to be satisfying once you realize you've really got it. I have a way to go.

A sampling of projects from the book.

This little book has opened up an entirely new domestic world for me. It contains hardanger embroidery, which I had never heard of. (You can find hardanger 101 here.) I had seen it before, but it never really clicked with me that real people could make linen look like that. It's definitely on my list. It's a great deal of fun, but let me warn you - if you get this book it can be hard to step away from the thread. ISBN 4-579-11018-8 (The book is NOT in English but the photos and diagrams are excellent.)

Judy's Grandmother's Baby Sweater: Pattern Notes

So here it is the end of February and I am just trotting out the first FO of 2008. If you had asked me in December what my first FO's of the year would be, I would not have guessed this! I have three to four designs in the works (depending on whether I decide to back-burner one of them or not) and one is very near completion. But I just have not had it in me to do math lately, so I thought I'd make one of the many baby things that I have planned for the spring and get a jump start on things. Voila!

A little sugar, a little sarcasm. Perfect.

Before I dive into the baby sweater pattern notes, however, I just have to put in another plug for Julie Jackson's Subversive Cross Stitch Book. Very few things could have driven me into the arms of cross stitch. It was just never a craft that I had as much interest in before. Howsomever, between this wonderfully saccharine book and the incredible single-color (almost Swedish) designs in the Japanese craft books I have, well, I just had to go there. And I'm so glad I did. Cross stitch can be a really fun diversion, and used sparingly on a beautiful linen backdrop I find it charming. I would definitely recommend Julie's book. Even if you never stitch a thing, the laughs alone are worth it. I will definitely be making another. (To Moxie's great chagrin - he still doesn't get it. Boys.)

Judy's Grandma's Baby Sweater
Greetings From Knit Cafe
designed by Judy Spector's Grandma
Knit with three and a half skeins (123 yards/skein) each of Rowan's Wool Cotton (50% Merino Wool/50% Cotton) in (955) "Ship Shape," on size US4 Addi Turbo Circulars and Clover Bamboo DPNs.
Gauge: 5.75 sts and 10 rows per inch over garter stitch.
Size: 6 months

The designated front.The Pattern:
Extremely well thought-out. If there is an edge on this puppy that can be self-finishing, it is. The construction is interesting, too. You work the sweater from side-to-side, starting and ending with the ties, and leaving live stitches and a bound of edge to pick up for each sleeve later. The sleeves are picked up and knit down to the cuffs, and then seamed along the top edge to finish.

If you've read my previous entries on this (the one on the Observatory), you'll know that there was a point where the sweater became a little tedious for me. The honeycomb stitch can be a little aggravating, because the action happens on the right side while you are knitting the wrong side. The wrong side, for its part, is not easy to read. If you get off by a stitch (which I did four times), you screw up the row. Normally, I am a stickler for fixing errors, but I was in the dead zone when I got off track and simply did not care enough. I kind of wish that I had cared a bit more now, but only a knitter is likely to notice. A six month old baby definitely won't! the honeycomb stitch is worth some effort, though, because it is very, very pretty.

My journey with this knit was not unlike my journey with every single scarf I've made. Somewhere in the second skein I was bored out of my mind, but by the time I got to the third I was into it again. The sleeves zipped by. Highly recommended, especially for those of you who enjoy repeating patterns. I've been in a knitting slump, so I spent three weeks with this sweater, but someone on a roll could pop it out in a concentrated weekend, and definitely over a week of bad TV and re-runs.

"Front" and "back" side by side. Really, it's fully reversible.

Techniques:
Intermediate techniques - cable cast-on, elastic bind-off, slipping and stranding stitches, knitting through the back loop, and picking up along edges.

Detail of the flap.Modifications:
The only mods I made were to use a different yarn, and a different seaming technique for the sleeves. The original yarn is Classic Elite Premiere, which I used for Mishka (same color, too). It has more of a drape to it, which is also very nice. I subbed because I was knitting from stash, but either is lovely. As for the sleeves, I just didn't feel like reading directions. I did a single crochet up one sleeve, across the front neck, and down the other sleeve. I'm sure that whatever the pattern does is fine, too.

Finishing:
Very little. For the most part this is self-finishing. I used the single crochet method to seam and neaten the front neck, as noted above. I didn't block this one and didn't even think to. I don't always block textured knits and the wool cotton is soft without washing. Blocking will add a little drape if you are looking for that effect.

The parting shot.Impressions of Rowan's Wool Cotton:
This is my go-to yarn. I use it more than any other, and especially for baby things. It is soft, classy, classic, has great stitch definition, and is machine washable. Plus it comes in a lovely array of adult colors. I'm not really a pastel girl, so this is a good choice for me.

Possible substitute yarns:
For this particular project, there are a lot of good substitute yarns. The original Premiere is a great choice, but you could use something like Tahki Cotton Classic or Brown Sheep's Cotton Fleece. Almost any fiber will do, because the shape is simple and the pattern lends itself to being sproingy or draping a bit. I could see it in a nice bamboo or linen.

[Read all entries on Judy's Grandmother's Baby Sweater.]

It's a Hoolia Wheel! Crochet and Creativity

I've had a bit of monkey mind lately (just what it sounds like, but here's a link), probably induced by cabin fever. Whenever monkey mind strikes, I feel the need to experiment a little, with no particular goal in mind. Sometimes I am able to do this with knitting (and that 's a great thing), but my knitting is pretty structured, so in the last year or so I've turned to crafts that are newer to me to blow off a little creative steam. These are things I'm not nearly as systematic about - spinning, cross stitch, crochet - and so I feel a lot freer to just do without any planning ahead, and see what happens.

The Hoolia Wheel.I am very inexperienced in crochet. Whenever I have Miss Marnie around for a few days I can make what would seem to be great progress, but as soon as I am without a guide, I tend to get lost. I have a hard time remembering how many times to wrap what and how to get from one spot in a motif to another elegantly. I have an easy enough time understanding the charts in Japanese craft books, but I'm not sure exactly where to start and there are techniques and conventions that I just don't "get" yet. I cannot read "written out" crochet patterns to save my life!

Yesterday, inspired by this beautiful washcloth, I decided that I would attempt yet another crochet motif. The only motif that I have ever completed without getting lost halfway through is the granny square. An accomplishment? Yes! Cute? Yes! But I kinda need to move on from there. So I looked through my crochet stitch dictionary and found several "intermediate" motifs that I liked. (Apparently there is no such thing as a "beginner" motif - even the granny square is "intermediate". Seems unfair.) The problem was that all the directions were written out, and I could not for the life of me figure out what to do once I got to the second round of anything. So, back to square one. I decided that since there were illustrations of the single crochet, half-double crochet, double crochet and triple crochet, I would work through those systematically, and learn to use them in rows and rounds. I did that, and I think I understand the stitches better, though to be honest, I have to go back and re-read how many times to wrap the yarn around the needle, etc. again before making a particular stitch to remind myself that I do know how to do it.

I got bored with these exercises, and I really, really wanted to make a motif. Reading the written out directions I just could not get it, though. So I decided that I would just make one up instead. I know the stitches (or can look them up! Einstein said that you should never bother to memorize anything you can look up...), I can work in rounds, and I understand the basic principles of increasing from knitting. I can do this, right?

I did! Voila! The Hoolia Wheel! Can I just say that I love it? Now, I know that I have surely just re-invented the wheel (pun intended) because what I did was so simple that I am sure someone (and perhaps many someones?) have crocheted it before. But. It's new to me, I did not learn it from a book, and so somehow it is more mine than many other complicated things I've done. It's just freaking glorious.

Okay, so here's the creativity part of the title. I had a boyfriend right after college who was wonderful at drawing. He did a self-portrait that I will never forget, both because it was so well-rendered and so introspective - he was really able to capture an aspect of himself that would be identifiable to anyone who knew him. But he would never call himself an artist. Only a draftsman. He explained that a draftsman was someone who was trained in the technical execution of drawing, but that an artist was someone who created organically without having to know the rules, working from within himself rather than from within the context of "art." I question whether he was right about himself, but I think there was a lot in the definition that he gave me.

Again. 'Cause I like it.Almost every knitting friend whose designs I admire has told me that she started designing because she found it to be too much trouble to work from a pattern. I realize that in my early knitting days this was the case for me, too, because although I did have access to Vogue Knitting, for the most part there weren't a wide array of commercial designs that appealed to my 20-something sensibilities. I heavily modified a lot of things - a Filatura di Crosa tank became a mini-dress! - and designed some of the more complicated pieces I've done. Not because I was trying to design (I certainly was not resizing!), but because it was really the only way to make things I liked. They had to come from my head. I wasn't limited in the techniques I used, because I didn't have a knitting community to help me gauge what was difficult. I just had June Hemmons Hiatt as a guide, and well, she did everything.

After a few years, I discovered Rowan Magazine, and I fell in love with patterns. I found more and more designers I really loved in Vogue soon after that (can we say Norah Gaughan?), and by the time Melanie Fallick's Knitting in America was released I was a goner. I was such a pattern junkie (still am!), and I gained a lot from that transition, but I lost something, too. Somehow having so much available to me caused me to stop creating things myself. There were good aspects to this - I could learn a lot by following someone else's footsteps and enjoy a way of thinking other than my own. But the more I learned, the more "rules" my structured little mind created. I became more proficient over time (and to toot my own horn I think I became a very good knitting teacher), but I also really boxed myself in. "Designing" and "knitting" became separate things.

My design "technique" now mostly comprises piecing together known elements in new ways. There is nothing wrong with this, and I think it can be helpful to think of design in this way, because for many of us, this is exactly what it is. You see a neckline that you like and think, "Now how could I incorporate that into something lacy and delicate?" and you play around and find a way to mesh things that you'd like to see together. There is creativity there, but for me it's much more at the "draftsman" (craftswoman?) level of creativity - nicely done technical execution with the "flair" originating in the combination of elements.

When I think of artistry, I think of designers like Mary Walker Phillips, Norah Gaughan, Teva Durham, Annie Modesitt, and Debbie New. You may not love, or even like, everything that these women create, but their designs often reach heights that other beautifully rendered but contextualized, structured pieces will never attain. There is something undeniably special about them. These are not the workhorses of your closet that will get everyday use - they are the statement pieces that uniquely define us.

I think that the artistry of these designers comes from transcending the rules of knitting and looking beyond the techniques that are known and on into those places in their own minds which still just contain possibility. For my own little mind, the easiest way to do this is to not know the rules. Structure is so much a part of how I learn that if I have it in place, it is nearly impossible to leave behind. I have to push myself to mess around and do "creativity exercises" if I want to come anywhere close to pushing an envelope. I work to be artistic, and often that takes so much work (almost always, actually) that I revert to being a sound craftswoman - it's my natural mode. Now again, I am not poo-pooing myself or saying that I don't enjoy that kind of creativity, because quite honestly I do, and if I never engaged in it there would be fewer of those great staples in my closet that I rely on. But. There is a real thrill when you do something that is totally out of the blue - really just out of your head - and look at it and think "That is good."

Making the Hoolia Wheel was that way for me. A small thing, really - just a motif - but at the same time a personal revelation. Because of this, I've decided to do two things: First, push myself to do a few more of those "creativity exercises" in knitting, and second, go about crochet an entirely different way. I am not going to seek out the rules, read patterns ravenously, or study it up in the way that I do with everything else. I'm just going to do it and see what happens. It will probably kill me - wish me luck!

Weekend at the Observatory

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Another wintery day in Los Angeles. Griffith Park Observatory.

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I've been itching to write for a while now, but the knitting and spinning have not been terribly interesting, because the Hoolia, she has not been terribly interesting. I've been sick as a dog for several weeks, so the only crafty thing that I've done is plug away on the baby sweater from hell (see it masquerading as a cute, fun project in the entry below), and then only when the nausea let up enough to allow me to knit. Fun! I am probably being a bit harsh on the baby sweater. It's darling, and I will be very pleased with it when the drudgery is over, but I overestimated the thrill of "honeycomb stitch". Honeycomb stitch is just lovely when completed, but it's hard to read as you're knitting it because the bulk of the action happens on the RS while you are working the WS. It's easy to f*ck up and it's about as interesting as seed stitch (but just as pretty, too!). I am only a little ashamed to say that there are at least four places where I screwed up half a row and just left it. I couldn't bring myself to rip out a row of that stuff if the error was not glaring, and my feeling is that the wee recipient, who is likely to barf on it anyway (all hail machine washable wool cotton!) will not notice. One sleeve left to go and I'll photograph it for you, mistakes and all.

Happliy, I was graced with a nausea-free weekend, just when our weather decided to go from a lovely 70 degrees to an even lovelier 80 degrees (for those feeling envy, fear not - we are sure to experience 100 degree weather in May and July-August, with a nice June Gloom sandwiched in the middle - even Angelenos get their due). We took full advantage of both the weather and my wellness for the entire weekend, and enjoyed the great outdoors.

Before the fire, Griffith Park was one of our regular weekend stops, but since then many of the trails have been closed, so we've only gone to volunteer with the recovery effort. The last tree-planting we participated in was in early December, so when we went back this weekend to help out with the planting efforts at Dante's Peak, we were pretty surprised to see that a lot has changed and many trails are now open. I was pretty pooped out from the effort of going to the planting site and back again, but Moxie, who used to run the mountain, decided that he wanted to go back for a run in the afternoon. He got in his exercise while I lazed around on the deck and ploughed away on the aforementioned baby sweater. While there, he also checked out the observatory, which we have not been to since it re-opened, mostly because we aren't big fans of crowds. M was very impressed, and insisted that we get up early on Sunday morning and beat the crowds to the observatory so that we could enjoy the morning there. It was a great idea, because no one in LA seems to be up and about at 8:00 am on a Sunday. I even had a chance to coax my esteemed photographer into doing a Mishka photo shoot....bonus!

Handspun Handknit Braintrust? Bueller? Bueller?

I feel like I'm a little cursed when it comes to knitting up my handspun. I've tried several times and keep having to rip and re-start. It's funny, because I pride myself on being able to pick the right project for a particular yarn, and yet when it comes to my own yarn I'm a bit stumped. Exhibit A: the wonderful party dress handspun:

Gorgeous yarn, crappy swatch.

This definitely falls into the category of "what the hell was I thinking?" Clearly, this stitch pattern has got to go - the vertical welts are totally duking it out with the horizontal stripes. D'oh! So many rookie mistakes all in one project - yikes. I've been calling this one "The One in My Head," but I'm pretty sure it's the one NOT in my head - anywhere! I think my first mistake was spinning the roving into too thick of a yarn. It's totally fun as a skein, but for me the practical value of a brightly-colored, striped, bulky thick and thin yarn is questionable. I would have done much better to spin this as a DK or sport-weight. It is wonderfully squooshy, though, and I really do want to use it, so I'm going to soldier on after a little break. I'm thinking something on the diagonal would be good, and something for a child or baby would be well-advised. Maybe a funky chevron scarf for my niece? Or one of those diagonal scarves that everyone used to make with Kureyon? Or maybe even another so-called scarf? Sadly, I'm having trouble being terribly creative with this one! If you have ideas, puleeeze leave them in the comments. I could use all the help I can get! [Edited to add: I've spun it all and have about 310 yards to work with. You guys have already come up with a ton of good ideas! Keep them coming!!!]

My saving grace: Judy's Grandmother's Baby Sweater.

In general, I've been pretty stumped the last few weeks. I think it's partially because everything on my needles is my own designing and I've reached the point where I really need to either write things down or do some math or both, and my little pea brain just is not up to it. It's a shame, because I was so excited about all these ideas about a month ago, and made some real progress. (Luckily, I did type up the pattern for Mishka during that time period. It still needs to be charted and sized, but the instructions are there rather than somewhere off in the ether.)

Best part? Komari's little face!To break this bad knitting mojo, I decided to start a baby sweater. I have a ton of baby knits to make this year - tis the season! - and it never hurts to start early. Ever since seeing LoriZ's grey Rambling Rose (which she needs to get off her butt and photograph! Edited to add: she did!) I have been dying to knit with my favorite Rowan Wool Cotton - the king of yarns. Lori's sweater doesn't even use wool cotton, but the yarn she's knitting looks like wool cotton and that was enough to set me craving for it. The whole time I watched her knit I was dying to snatch the yarn out of her hands and get in at least a few rows. Instead I had to be patient and start something of my own. The other advantage of the baby sweater is that it is involving and yet contained. I want to get a bit involved, but not overwhelmed, so this is the perfect project. Plus, after going through my grandmother's old knits I was pretty inspired. Everything she did was a little work of art.

I settled on Judy's Grandma's Baby Sweater from the Greetings from Knit Cafe book. I have to say that I have been fortunate to be included in two of my favorite pattern books ever, and GFKC is one of them. (The other is Boho Baby, which is bound to get heavy use this year.) I have wanted to make this baby sweater since I first spied it in Knit Cafe over four years ago. It' simply stunning in person and the unique construction makes it extra special. My love for this pattern is rivaled only by my love for Veronik Avery's Gansey Layette, which I have made three times (and will probably make again this year). I can't believe I didn't knit it earlier. Anyway, I am finally able to engross myself in knitting again, and that is a nice relief. I'm hoping that this little respite will allow me to return to my plans for a few other things on the needles. Some things will undoubtedly get pushed to the back-burner, because I have much more than usual in progress right now, but having tasted the fresh air again, I think I will be able to dive back into at least a few of those stalled projects. Thank goodness!

Love Among the Shepherds

Love takes many forms....

Kissing (my favorite),

Hugging,

Spooning...

And Dancing Cheek to Cheek ("Heaven, I'm in Heaven...")

On Monday morning I awoke to see snow on the near mountains. The far mountains, which are about 45 minutes away and visible on a clear day, often have snow from November to April, but in the near mountains, only about 20 minutes from our house, snow is a rare treat. The elevation is much lower, and between that and the dearth of regular rainfall, snow only tops them once or twice a season at the most. I hike with the dogs most mornings before I start working, but I usually have a nice cup of tea first. On Monday we just went. I wanted to get as good a view as possible, as soon as possible, and for as long as possible.

The San Gabriels

This week was my birthday. For a good 15 years or so, growing up and then in my Chicago years, it snowed without fail on my birthday every year. For those of us born near the holiday season, birthdays are a little more low key. Snow is the perfect gift.

Snow from the rooftops in Pasadena

So off we went. It was a perfect morning. Quiet, clear, beautiful. When people say they don't like LA, I always tell them that they just haven't found theirs yet. There is an LA for everyone. I love ours. The trail is just beautiful. Used by few, with views of the mountains on one side and views of downtown LA and the ocean on the other. On Monday, it took all of my resolve not to go all the way up Angeles Crest Highway into the San Gabriels. But work called, so we drove back down from the trail and I treated myself to taking a few photos from the rooftops in Pasadena before settling in for the rest of my day.

Happily, mommy-love is gentler than pupper-love.

Self-portrait of my mid-thirties, with Asher.

Wash Day: My Knitting Heritage

A while ago, I asked my mom to send me some of the handknits that my grandmother made for my brother and I when we were little. My mom sent a smocked coat, two cardigans and three hats. All of the items had seen fresher days after spending thirty-some years tucked away in a drawer, but they were lovely nonetheless.

Smock coat for a granddaughter long grown.

This weekend I was inspired to wash the smock coat and a little garter stitch hat with Scottie dog buttons on it. The little hat was worked flat, seamed, and then pulled into a crown at the top with a delicate drawstring. I realized that the best way to wash it would be to untie the drawstring and flatten the hat, so that the wool wash could get into all the nooks and crannies. I did so very carefully, but it was still a bit bitter sweet. I am sure that the last hands to tie