August 11, 2009
Mud Season Cowl: Pattern Notes
Wow. So you guys are still out there reading. How cool is that? I would love to be one of those people who blogs for themselves, but honestly I really like hearing from all of you and I definitely think of you when I write. It would be weird to write without thinking of my internet friends, so I'm glad to see you're still here and even a little chatty. These aren't my usual pattern notes, but given the fact that I made the yarn and the "pattern" there isn't really much point to reviewing them, is there? We'll just do this all stream-of-conscious-like.
I finished the Mud Season Cowl in May. It's hard to say exactly when I started it because I spun the yarn first and I think it's fair to say that counts as part of the full project time. Prior to Griffin's appearance I was a happy member of the Spunky Eclectic Fiber Club - something I highly recommend. My hope was that I would spin up the 4 or so ounces of mystery fiber that Amy sent every month and get back into a spinning groove. I have lived with myself for too long not to know that was a doomed proposition from the start, but I decided that if I aspired to a 4 ounce a month goal I would at least spin 4 ounces a quarter, and for the most part I managed to do that (more Spunky on the bobbin right now, in fact). I bowed out of the club when I was 8 months pregnant, knowing that I would soon become in danger of my fiber stash equaling my yarn stash (and we cannot have that), but maybe if I'm a good girl and spin through what I have left I will allow myself a little fiber club treat.
This is the photo that shows the colors best. They are pretty hard to wrap your eyes around for some reason - hard to take in all at once. But oh, so pretty.
Okay, so what I think I was saying at the beginning of that paragraph was that I started spinning the Mud Season merino last fall. There was a short period of time when the stars aligned (read: the little dude could not crawl or roll far) and I did a bit of spinning. Then the skies went back to their former state of disarray and my spinning got put away until April. In April two things happened. The first was that I read The Intentional Spinner and got completely inspired to spin again, and the second was that I happened upon Connie's post about her knitting group's cowl swap, and I was determined that my little knitting circle do a swap as well.
Other than that the stats on the cowl are pretty simple. It's 100% merino, two-ply, Andean plied, knit in a traditional feather and fan pattern on US10 needles. The colors escape proper photography - you will just have to trust me when I say they are beautiful. It's rustic and organic looking and I had a wonderful time making it. There are few things as satisfying as spinning and then knitting something for yourself. I'm guessing that wearing it is going to be just as good, though.
April 17, 2009
The Unintentional Spinner
That would be me. I've been reading Judith MacKenzie McCuin's The Intentional Spinner with a fervor - reading and re-reading it in fact, which is impressive attention to give to a single book given my current lack of reading time. I would love to say that I'm going to give you a review of The Intentional Spinner, but as soon as I say that I won't get to it, so I won't say it and we can all just be pleasantly surprised if I do. Fair enough?
The Singles, feigning innocence.
Anyhoo, this book has given me some real "Ah-ha!" moments, so if you are in need of one as an intermediate-ish (beginning intermediate?) spinner, I'd highly recommend it. As far as ah-ha moments go, this book shares a space with the Twisted Sisters Sock Workbook and Sew U for me. A real connect-the-dotter.
It would be great to be able to say that I have been practicing all that I have learned from this wonderful book, but so far all my fervor has produced the same type of spinning that I always do, on pretty much the same fiber, with the same preparation. I do want to work on my techniques at some point, but for now the book has simply been inspiration to spin.
So now for the unintentional part. The only way in which I deviated from my normal spinning practices was in the twist I gave my singles. Somehow I managed to spin one S and one Z. I'll give you a moment to contemplate that. One S. One Z. You can't make those play nice together. For all of you non-spinners who are glazing over right now (why are you still reading?) think oil and water, square peg, round hole. I didn't even notice until I attempted to ply them and one became very tight and wiry while the other practically disintegrated before my eyes.
I could have cried. I had been so intent on spinning that I had two bobbins with two ounces of fiber on each. I considered Navajo plying them, but I didn't want long color runs. I was really aiming for barber-pole 2-ply, and the only way one gets that is to ply the singles together. Luckily, I have a great resource in the Spunky Club on Ravelry, and soon after I posted about my spinning woes there were many suggestions about what I should do.
The one that really struck me was Andean plying. Why had I not thought of that? That was a D'oh! moment. I think it didn't occur to me because I've only Andean plied on a spindle, and with each bobbin holding two ounces, that's quite a bracelet. Again, there were several suggestions as to how to tackle that problem, including this nifty idea of "book plying." I am taking the path of least resistance and Andean plying from a center-pull ball.
So far, I have only managed to wind the singles off the bobbins into skeins, and look at them skeptically. There is no reason that Andean plying would not work -- all my spindled yarn is plied this way and I have made some lovely yarn and knit it with success (more on that later - my first FO of the year was a spindle-spun hat for Griffin that I have yet to blog). Still, I feel some trepidation, having managed to forget which way to ply a singles in the space of three months. I'm not sure I can blame it all on sleep deprivation. Cross your fingers for me and hopefully I'll be back soon with tales of pretty yarn.
May 04, 2008
Merino "Burning Bush" 2-Ply and Baby Alpaca 2-Ply. Baby bliss!
Work has kept me extremely busy, and when I'm typing away at my keyboard so much, one of the last things I want to do in my free time is type away at my keyboard (or read anything). When I have had a free moment, I have either crocheted a pansy or spun, spun, spun. As a result, the handspun that I talked about in this post is finally all spun up, and some of it is even knit up. No time for any more designing than I already have going on here, so it's definitely Tomten. Plus EZ's designs are all somehow perfect for handspun, don'tcha think?
Handspun and the bottom half of the Tomten Jacket.
Babies seem just impossibly small!
April 05, 2008
Adventures in Spinning: She Learns to Sample
I have really missed writing to you guys. It feels like time is moving so fast with this baby, and work is so busy that everything is just passing me by. There is so much that I want to document - in both my knitting and pregnant life - and somehow the opportunity eludes me. There are times when I don't write because I don't feel like it - usually I get tired of hearing my own voice and just need to go away to have something new to say - but this has been an involuntary hiatus. If I could I would stop time and just sit here and fill pages.
Cherry and Burning Bush singles - note the lightness in the singles to the far right which came from the "inside" of the roving.
When work is done I am usually tired enough that I can't do anything that requires math, deep thought, or being at the computer. (I have pregnancy brain so badly already that I went into the bathroom at the obygyn's office to give a sample - not because I had to go but because they needed a sample - and just completely forgot to pee in the cup. It wasn't until I got all the way back and the nurse asked about the sample that I realized I had forgotten. D'oh!) This lack of brainpower has translated into time spent spinning and knitting very simple things.
The spinning has been fantastic (the knitting has also been quite satisfying). I have some gorgeous merino/silk (80/20) roving from Spunky Eclectic in the Burning Bush colorway, that I decided I wanted to spin to make something for the baby. Surfing around on ravelry, I found this beautiful Baby Surprise Jacket done in 2-ply Burning Bush handspun, and fell positively in love. I decided that I would spin my roving up into a 2-ply for a Tomten Jacket. (Also an EZ design and kind of similar).
Gorgeous rich alpaca singles - slippery after working with merino silk!
The only issue was that I only had 4 ounces of Burning Bush and I wasn't sure how far that would go. (I really need to start documenting my handspun so that I have a good idea of how much yardage I can expect to get out of a given amount of roving.) To make it go further, I decided that instead of plying it all on itself, I would do one 2-ply of Burning Bush and one 2-ply of Burning Bush and Chameleon Colorworks Cherry or maybe just ply all of the Burning Bush singles with some medium brown alpaca that I have 4 ounces of and make it go really far.
So, after a very cool ravelry discussion on the zillion different things that I could do with these Burning Bush singles, I decided to take some sage advice and actually sample. I am so glad that I did. I knew that both the brown and the red would dominate the Burning Bush colors, but I really had no idea how much. In this case, I really like the bright crazy colors of the roving, so there is no real incentive to mute them with a solid, but in so many other instances, this would be a great tool to have in my back pocket. In one little session of sampling I learned a ton about how to mute or preserve bright color. I also completely changed direction and decided that for this project I would mute the color and use the brown. I really like the red as well, so I may order a few more ounces of Burning Bush to ply with the cherry for some other baby project.
The swatches - brown alpaca and burning bush for now; swirled with cherry for later.
I'm also glad that I followed the sampling sequence that I have. To make sampling fun, I spun up most of the singles for the Burning Bush and Cherry rovings first, and also spun up quite a bit of the alpaca as well. I knew that I would be happy with all of these singles at the same weight even if I didn't end up plying them together, and I also knew that I would have more fun if I didn't have to work through all of the singles after sampling. (Again, impatience.) This would not work when sampling different weights, of course, but since I knew I wanted to end up with fingering to light DK weight, it was a great method for my purposes. My method worked out especially well, because the Burning Bush varies quite a bit in intensity, getting much lighter near the "inside" of the roving. When I actually get to the knitting phase, I will counteract that a bit by switching between skeins to get a striping effect.
The sampling part was awesome. I wish I had some shots of the 10 yards or so that I spun so that you could see how different the yarn looks skeined as opposed to knitted. I have plenty more to spin, so I'll be sure to do that later for those of you who are as geeky and new to spinning as I am. I really love both the alpaca and cherry version. Now the only problem is the project. I love the Tomten Jacket and do want to make it eventually (Baby Surprise Jacket, too), but I think for such a special handspun I need to come up with something of my own. We'll see.....
December 31, 2007
Spunky Club December 07: Party Dress
The Superskein lives!!!
Birth of a Superskein, Swatch of a Superskein...
I love the results. I got so engrossed in spinning party girl that I just couldn't stop. The resulting skein is - as you can see - HUGE. It swatched quite nicely, too. I am not sure if I will knit it into something using the 2 by 3 broken rib in the swatch or something else, but I am definitely inspired to start contemplating what this yarn could be. I've only spun about half of the roving I have and already have 180 yards of aran-weight yarn. It feels like there is real potential to get a substantial finished object out of the party dress roving. So far this fiber club thing seems like a great plan!
December 24, 2007
Orange Camo Christmas
At 4:57 p.m. on Saturday I ran gasping into the Fedex Kinko's and mailed off the last of my handmade gifts. The guys at the counter laughed at me, but assured me that my box would get put on the truck - although it would be the very last one. The recipients of said gifts, Ma and Pa T., are avid readers of this blog (well, at least Ma T. is, I'm not sure that Pa T. could survive the excitement of reading about knitting), so that is enough said until Santa has safely made his way to their house tonight and the gifts have been opened.
Bird's nests. A camouflage Christmas bouquet.
Orange Camo plied on the Rose. Just because.
February 14, 2007
State of the Rose
I know that some of you must be curious to know what is going on with the spinning projects. I've been doing much more knitting than spinning lately, both because I have been captivated by the projects I'm knitting, and because my fiber stash is in a place where I don't have too much that I feel I can play around with without having a plan. Right now I feel like playing when it comes to spinning. I have knitting plans; I don't want spinning plans. In between my knitting projects, I have played around here and there with a bit of merino that I got at the Santa Monica Fiber Festival last summer. Marnie spun a bit of it, too, when she was out here for work a few weeks ago. Here's what it looks like so far:
The first ply
This is a sister fiber to the lovely "mud" roving that I spun up in the fall. You might think that I would make more of an attempt to prepare it differently, but in this case I'm looking for the subtle variations of the "mud."
I have a bad habit of hoarding my handspun rather than knitting it. I have recently been reminded of the great error of my ways by Mary Heather, who I taught to spin in September. MH has not only taken to spinning like a fish to water, she has already gone on to complete her first handspun project (which is freakin' gorgeous!) and has plans for a second. Although I have started two handspun projects, both will have to be ripped (more on that later), so I still haven't finished a darn thing!
I keep telling myself that I hoard because I have been spinning such small quantities of each fiber and that I need to spin more before I have enough skeins that will work together in a finished piece. I have an idea for a handspun turtleneck based on a wonderful sweater from last winter's anthropologie catalogue, and I think I have several skeins so far that I can dedicate to that piece. My hope is that this skein will coordinate with those as well. I think that the more colors I add, the more likely it will be that no single color will stick out like a sore thumb. At least that seems to be the principle that the great color artists like Kaffee Fassett and Brandon Mably operate on. We'll see how well it works out for me. I generally work more with shape and texture, and don't consider myself particularly talented when it comes to the multi-chromatic word. This will be an adventure.
November 08, 2006
I've Been Nupped!
Seriously, people. The next time I offer to write up a tutorial on anything, will you remind me to shut the hell up? Because honestly, no good deed goes unpunished. Offering to write up a tutorial on how to make sure you have enough yardage is really just a fancy and foolish way of asking, no begging, to run out. (Declaring that you have spun koigu probably doesn't help, either. I have a lot to learn from koigu.) So here it is, in pictoral format, my tutorial on how to ensure that you have enough yardage:
Go back to the freaking wheel and spin some more. Even if you have to order $2 worth of roving to do it. Suck it up, stop being such a scrooge, and for gosh sakes throw away that damn spreadsheet. Just make (or buy) enough yarn.
As you can probably tell from the title of this post, it was the nupps on the Swallowtail Shawl that got me. I am pretty confident that for the most part, my intricate spreadsheet that indicated I would have enough yarn if I made only a few little tweaks and cut out two of the initial repeats was right. The thing is, that even that estimation told me I was cutting it very, very close. And each nupp requires about 5 more stitches than the average stitch - 4 extra go-rounds and another stitch to account for the fact that you have to make them loosely and the stitch that brings all the yo's together is a fat one. And 5 stitches times 5 nupps per branch times about 40 branches (or something like that - I'm done counting!) is, well, a lot. It takes up some yardage.
I don't want to admit how much time I have spent tweaking this pattern and crunching numbers to somehow try to get a Swallowtail Shawl out of 290 yards of fingering. And what for? It is a small shawl to begin with. Why make it so tiny that I can't even wear it?
I realized that I had a problem the other day when my best friend and I were discussing knitting the Marseilles Pullover together. I was going through my mental rolladex of stash and trying to figure out which yarn I had exactly enough of, and eliminating any possibilities that would leave me with too much leftover yarn - say, 25 yards! And I do this all the time. When I make a scarf, I cut the fringe near the beginning of the project, so that I can knit, knit, knit until the bitter end. I weigh my socks in progress, so that they use up as much of the yarn as possible. I did this with the River Stole, too. For many of my projects, I end up making modifications so that I can use some stash yarn that I don't have quite enough of. When the lace leaf pullover was done, I had a four-inch tail left. Almost scary, isn't it?
The thing is, I know myself well enough to know that I will never really learn my lesson. I like spreadsheets, and I like having inches of yarn left when I finish a project. It's just the way I'm wired. But I am going to give in and do the sensible thing with this shawl, because it is my first handspun project and I want it to be great. And I've chosen another yarn for the Marseilles Pullover, so I'm pretty sure that I have plenty of yardage for that. I may even have just enough to eek out a coordinating hat. Hmmm. Maybe I should make a spreadsheet....
October 23, 2006
Knitting, Spinning, Family
Swallowtail shawl in merino tencel handspun: far and near.
It's going well. I thought that I might be a bit short on yarn, so after I finished the tenth repeat, I weighed the yarn I had used (40 grams) and the yarn I had left (75 grams). Then I made a spreadsheet to determine how many total stitches a full swallowtail shawl would take (18,583), and how many stitches I could expect to get out of 115 grams of yarn (~15, 900). I determined that if I took out two budding lace repeats I would have enough yarn, and that if I simply added two rows with 4 yarnover increases before changing to the next lace pattern, I would have the correct multiple of stitches for the following lace patterns. This shawl was actually pretty ammenable to tweaking, so I really lucked out. I'm sure that what I wrote here sounds pretty complicated, but it's doable. If enough people are interested, I'll write up a tutorial on adjusting this type of shawl sometime. You never know when you'll need to double-check yardage and re-adjust. It sounds dull as dust, but I'm happy to forego the excitement of running out of yarn close to the end.
My adjustments may very well make the shawl too small to be practicable to wear, but I've decided I'm enjoying it so much that I don't really care. If I can't wear it, I'll frame it. It's a lovely pattern and a really nice use of the yarn. I'll let you know if it's wearable or not, though, just in case someone else has 290 yards of fingering that they're considering using this way.
The red sparkly Christmas beret is almost finished, right on schedule.
This is an easy knit. No thinking, no tweaking, nothing. Perfect for a gift, and completely season appropriate. Normally I shy away from sparkly, but this really appeals to me, and the person it's for does sparkly quite well.
Heart's Content: 80% merino, 20% bombyx silk from Chameleon Colorworks.
I spun this at the spin-in at my house on Saturday. It's only 57 yards, but I should eventually be able to incorporate it into a project with some other handspun. I love the colorway, and especially after washing, it is really soft.
The crew, hanging out in bed the morning after the spin out.
We never used to allow the dogs (we had two) in bed, but now that Caia is an elder, we just put an old quilt on top and let her sleep wherever she wants. The night of the spin-in she insisted on sleeping with me, and when I finally woke up, exhausted and dazed, I found that I was under a pile of furry love. I slept in that little corner at the top! It's amazing the way the kitties pile on when Caia is in the bed. They find the tiniest crevasse and wedge themselves in. Not much sleep, but a lot of love.
October 20, 2006
Hemingway & Faulkner
I've heard it said that if you want to write, you should read all of Faulkner, and then read all of Hemingway to get the Faulkner out of your system. The styles of these two greats are well-known for being at opposite ends of the writing spectrum, and I enjoy them both. (Though if I had to pick, I'd take Faulkner.) This quote found its way into my head after the long ordeal of spinning the raspberry merino tencel was over. After all that precision, concentration, patience, and striving for evenness and perfection, I wanted to spin something positively organic. (Okay, so this is more like reading Hemingway and washing it down with Faulkner - bear with me.) First, I pulled out my Maggie spindle:
I'm going to set the twist using Priscilla Gibson-Roberts' method of simmering the yarn, but I'm waiting until I have a chance to hop over to the Goodwill and buy some old stockpots, because I think it's probably a bad idea to simmer dyed yarn in the ones we use for our soups and stews. I've been really impatient to knit with some thick and thin yarn, though, so in the meantime, I've pulled out my Tahiti skeins and started knitting a Christmas Scarf for my little niece, Sophie. I really like how it's coming along so far:
Zoom in, zoom out.
This is almost as good as reading The Bear.
October 18, 2006
I Have Spun Koigu
I know. It probably sounds a bit boastful, and when I say it, I don't mean that you should all turn in your KPPPM and start begging me to spin for you. My yarn definitely has some "features" that you won't find in koigu, but that said it is shockingly similar. The funny thing is that it wasn't intentional, and that I didn't even notice until I started knitting with it. I just had a strange sensation of deja vu. And then it came to me. I had managed to spin something a lot like my absolute favorite yarn for socks. Happy, happy co-inckie-dink!
I cast on for the Swallowtail Shawl last night. Love it.
I think that the beginnings of the swallowtail shawl look remarkably similar to the beginnings of Charlotte's Web.* Oh happy, happy days. And can I just say that although I am only a wee bit into this Swallowtail pattern I am already hooked on it. It's totally fun, pretty and really easy to memorize. Now I just have to pray that I don't run out of yarn. It's going to be a very, very close call, but I'm optimistic. And I'm so into this shawl that I can't stop. May the knitting gods be with me. Tiffany, my spinning mentor from afar (Marnie was my spinning mentor from anear), is spinning and knitting this one with me. Tiffany, hon, you better spin fast. I'm so excited I may whip through this one despite all the other crap I should be doing.
Here's one last close-up for the knitters out there who are sick of all this spinning content:
See guys? I do still knit! Just with my own brew.
I have several other things on the needles as well, including another handspun project (check the sidebar if you're interested). I've just been so stoked about my handspun that it's been hard to make myself blog the knitting. In this case, it's two for one.
The State of the Koosher
Townes is obviously having blissful dreams of his true doggy love.
I love the way that these two often sleep in similar positions, or even mirroring each other. If there is anyone Townes is more devoted to than he is to me, it's Caia. It's a little bit like watching Pepe Le Pew and that poor black cat. Undying, almost suffocating, interspecies devotion. When we took Caia to the vet last week, we were very afraid that we were at the end, so we brought Townes along. He curled around her head on the exam table and stayed with her throughout everything - shots, having blood drawn - everything. Even the vet was surprised. He said he'd never seen anything quite like it.
*Okay, so that was a crappy Charlotte's Web picture, and never let us mind that I didn't ever get further than that on Charlotte's Web. That was what it looked like before I ripped it out!
October 17, 2006
Raspberry Merino Tencel
Last week was rough. I pulled some pretty long hours preparing for a presentation in SF that I gave yesterday, and taking care of our sweet Caia girl, who is succumbing to age, despite our valiant efforts and her own. During the week there were only stolen moments of knitting and spinning here and there to maintain my sanity. So on Saturday, I allowed myself to have a complete and total Julia day. I spun the rest of my second bobbin of raspberry-colored merino tencel, plied the singles, spun another skeinlette on my maggie spindle, plied that on my pilchuck spindle, returned to the wheel to spin a wonderful thick and thin chocolate covered cherries singles, knit on one of my gift berets, and then knit some of my handspun for the first time ever. We take our Julia time seriously over here at chez MOW. It was blissful.
Two bobbins of merino tencel, side by side.
Although I know I'm famous for my long-ass windbag posts (and this will no doubt be one, too!), I'm not enough of a windbag to cover everything I did and saw this weekend (Sunday was another Julia day, spent in SF with Emily at the DeYoung Museum, but that, too, is another post), so I'll start with telling you about the raspberry merino tencel here.
The plied singles on the bobbin. This made me soooo happy.
As I've said before, the raspberry merino tencel project was my first somewhat longer-term spinning project on the wheel. Before this, everything that I've done could have been accomplished in a single day, albeit a long one. For this project however, I was going for a finer plied yarn than I've created in the past. The singles were so fine that it took me about 6 sittings to spin each bobbin, and I'd estimate that each represents about 8 hours of work at a minimum. The plying took me about 2 hours, and I was afraid that it was going to take a heck of a lot longer.
Moxie played the role of Margene (of whom he is completely and totally unaware) while I was plying. I was so excited to see the finished yarn I was almost jumpy - chomping at the bit. He kept reminding me that I was supposed to be enjoying the entire *process* and that I shouldn't be concerned about getting to the end product as much as enjoying the spinning that I was doing. I knew he was right, but I thought I was going to kill him. I wanted to see the yarn!
When I was finally done plying, I was left with less than two feet of unplied singles. This made me insanely happy, as I have an obsession with using every little bit of yarn - to the point where it is not unusual at all for me to come very dangerously close to running out of yarn on a knitting project. It's stupid, I know, and I always counsel people to buy more yarn than they need when asked, but I can't help it. I save everything, and I can't stand to have half-skeins of unused yarn hanging around.
Plied singles on my brand spanking new niddy-nosty from Amy at Spunky Eclectic. A truly wonderful tool.
I wound the skein onto my niddy-nosty (love this!) and ended up having about 290 yards of yarn. To be honest, I was hoping for closer to 400 yards, but still, this was almost three times as much as I've ever spun in a single skein, so it was still really impressive to me.
Here's the skein right off the niddy-nosty.
For a zoomed-out shot click here.
Because I had spun the singles over the space of two weeks, there was no way to tell whether the skein was balanced right off the niddy-nosty. (I warned Moxie of this, and his disappointment was palpable. He revels in the fact that I make him guess whether each and every skein is balanced, just prior to niddy-noddy removal. It is prime entertainment for the entire family.) Here it is all curly, but after wetting it hung straight, and is still straight after drying (I thwacked the hell out of it, but did not weight the skein). It looks balanced to me, though I'm sure that there are more experienced spinners who could chime in and let me know how to be sure. (Hint, hint - chime in!)
I love this skein. There are still thick and thin points, but overall, it represents the most professional-looking yarn I've made to date. I'm hoping to knit a shawl from it. I'm not sure that I'll have enough to make Evelyn Clark's Swallowtail Shawl (I've been drooling over Jared's since he finished it), but I'd like to give it a go. If anyone has a good approximation of how much fingering-weight yarn it would take to make the swallowtail, or even exactly how much lace-weight it took, I'd love to know. In the meantime, here are the stats for the yarn:
Fiber: Raspberry Merino Tencel (70/30)
October 09, 2006
She is (was?) Having Fun....
The pink and blue skeins are from the week before last - the yellow one is the Lemon Sherbet, which you've seen before. The pink and blue are Indigo Moon Brushstroke Batts - alpaca, merino & silk - procured for me by Cara, with guidance from Julia FC at last year's Rhinebeck festival. They are delectible. This week there will be very little spinning or anything else - work, work, work! But, in honor of the upcoming weekend in Rhinebeck, I thought you might like to see the before and after shots.
Cara, would it be too boring to ask for more of the same? I love this stuff!
October 08, 2006
I'm a Twisted Sister Part II: How to Turn Pencil Rovings into Mud
When last we left my beautiful Rose Quartz merino roving, I was doing a little experiment to see how the roving would look if I split it lengthwise into several multi-colored pencil rovings and spun it up. If I had actually remembered what I read in the Twisted Sisters Sock Workbook, or perhaps gone back to reference what the workbook said, I might have known to expect a little mud. Being the intrepid ignorer of the wonderful books I read in preparation for such exercises, I did not. In so ignoring, I have re-invented the wheel and performed the experiment all over again, in living color (or not so much?) for you, dear readers. I give you mud:
But it's a rather lovely mud, isn't it?
Happily, I think mud might be the preferred color of choice in this case. When I purchased this roving, the name Rose Quartz seemed to fit it better than it does now. It had a definite overall pinkish sheen to it, with tons of other colors as little accents. Photograhed, it appears that purple is the dominant color, with strong accents of green, and when you ply it, that is really how it turns out. I know that I read somewhere that the best way to figure out which colors will dominate is to photograph the roving and see what dominates (I can't remember if this was in Twisted Sisters or not), and I'm here to tell you in this case, at least, it works. I like green, and I like purple, but honestly I *think* I'd rather have brown with accents of both than see the two try to compete in a barberpole yarn. We'll see for sure if that 's the case when I try to figure out how to get them to do that.
As promised, here are some shots of the process:
One of these bobbins is not like the other...
Here's a shot of the two bobbins prior to plying. The one that looks bigger actually weighs a smidge less. I like how the purple has a bluish cast here. It doesn't make it through the plying.
The plied yarn on the bobbin.
Here's what it looks like plied on the bobbin. This is where the brown effect really starts to sink in.
All niddy-noddied up.
When you view it from a distance on the niddy-noddy, the overall effect is a purpley brown. Subtle, and nothing like the original roving, which had a distinct lack of subtlety.
You might remember that I attempted to weigh out the roving so that I would have equal amounts of yarn in the singles with very little leftovers. Even if I had weighed everything perfectly (which is hard to do with a kitchen scale that does grams, but not tenths of grams), my uneven spinning would likely throw the lengths of the singles out of balance. And it did, but not by too much. I'm not sure exactly how much I have sitting there, because two weeks later it is still hanging out on the bobbin, but I'm guessing only about 5 yards at a maximum. It could be worse!
All skeined up and hanging out with the lantern.
Here's a final view of the skein in its native habitat. This was actually the heftiest skein that I have spun yet - a total of 140 yards. (Woo hoo!) Eventually, I will return to this roving and alternate ways to prepare it, but for now, I'm knee deep in several other rovings which have distracted me in the last few weeks. In the meantime, if you want to see the differences between spinning from pencil rovings and spinning from the fold, as demonstrated by a much more experienced spinner than myself, check out this post from the other Julia.
October 04, 2006
Some Help for Achieving a Balanced Ply
The other day, Marnie wrote about how to check to see if your plied yarn is balanced while it is still on the spindle (or wheel). I found this really useful, and was suprised that I hadn't thought of checking my plies this way, especially since I know a similar trick for checking to see what your plied yarn should look like before you actually ply it. Sometimes the rudimentary things just don't filter down! Anyhoo, along that line of thought, I'm sharing the trick for checking to see what your plied yarn should look like in advance. For most, this will be old hat, but perhaps it will help a relative newbie (like me!).
1. Hold a length of yarn out taut from either your bobbin or your spindle shaft.
The roving that I've been working with is a merino/tencel blend from Carolina Homespun. It's a little more slippery than what I'm used to, but oh, so nice. No pre-drafting is necessary with this stuff - just grab a hunk and spin.
My individual plies seem very fine, though, in fact, I think the yarn produced will be a DK weight when plied - we'll see. This is a longer project for me. Most of the rovings I've spun up thickly enough that I could easily spin and ply two ounces in one sitting. This roving will take 4 to 6 sessions, depending on how long I spin each time. It's a real exercise in patience, as I am dying to see the finished yarn.
This was a long spinning session for the Nounie as well. He loves to sit close by and watch the wheel spin. (When I knit, he sacks out on my lap.) This morning, I spun for so long that he fell asleep at his post by my flip-flops. He is so sweet it hurts my heart a little to look at him.
Townes, on the other hand is completely un-sentimental and non-plussed:
"I'm asleep mom."
September 24, 2006
When Something Orange This Way Comes
September 23, 2006
I'm a Twisted Sister, Part I: Roving vs. Singles
We're quickly approaching my one year spinniversary, the day that Shirley and I learned to spindle spin under the tutelage of Marnie. When I decided that I wanted to learn to spin, I sought out the advice of Tiffany, whose gorgeous spinning I really admired. Tiffany responded with a great list of books and resources and a care package of fibers to play with. Her number one book pick was the Twisted Sisters Sock Workbook, and it was the very first spinning-related book I purchased.
The Twisted Sisters Sock Workbook will not teach you about spinning per se, and honestly, the best pamphlets I've seen on spinning itself are the free pdfs offered by spin-off, but it delves rather extensively into dyeing, roving preparation, and sock knitting and is incredibly inspiring. I devoured the whole thing in a weekend. I've been meaning to write a review of it for some time, but for the moment I will just tell you one of my favorite things about the book.
The section on roving preparation is very, very thorough, and emphasizes the benefits of taking the time to carefully divide and pre-draft your roving.
The author, Lynne Vogel, talks about how she spends a great deal of time considering the roving itself and whether to spin from pencil rovings, created by dividing the roving length-wise, or to spin from the fold, a cross-section of the roving. She determines how long she wants her color repeats to be, whether she wants to spin a singles or a plied yarn. She does all this while simply looking at the roving and contemplating what it might be. The choice of how to prepare the roving will greatly affect the look of the yarn that you produce, and Lynne shows us the differences in beautiful color photographs.
For me, seeing the Twisted Sisters Sock Workbook's pictures of finished yarn next to the roving that produced it was very akin to what I experienced as a new knitter when I could actually see different yarns worked up into swatches. Before you have experience with a given fiber, color, or technique, it can be hard to envision what the result of your efforts will be. (Hence my first lace scarf that I designed using lovely, but thick tweedy wool - not a huge success. Now, I think I could probably finesse a tweedy wool into a lovely lace scarf, because I know the rules and can break them in new and interesting ways. Then, it was just a mess!)
This particular roving is dyed with long runs of lengthwise color, so when I separated it for spinning prep, I ended up with pencil rovings that vary from one another pretty significantly. The result is a pretty obvious transition between one pencil roving and the next on the bobbin, which you should be able to discern in the top photo. I have always spun from pencil rovings, primarily because I find this the easiest way to manuever on my spindles, but I thought that this time I would experiment, and see what kind of a difference spinning from the fold would make in the final yarn. I believe that spinning from the fold will give the yarn a much more subtle, heathered color, as the individual color runs will mix more rapidly, but we'll see.
I'm on the second bobbin of pencil rovings right now. Either tomorrow or later today I'll ply the yarn (I'll take pictures of the effects of that, too), and then next week we'll see how spinning from the fold works out.
Oh, and if you are wondering about the scale in the bird's nest photos, I use it to determine how much fiber to prep for each bobbin. Theoretically, if you use the same amount of fiber each time, you should not have any leftovers once you ply the yarn. In practice, I'm so new to spinning and to the wheel, that the difference can be significant, but that makes it a good measure of my consistency (or lack thereof!) and spinning progress. I'll take shots of that, too, if you promise not to laugh too hard!
September 18, 2006
Not me - the skein! Now I know that this is not always going to happen, and in fact, may rarely happen again, but please take a moment to revel in the fact that my second skein of yarn off the Rose is perfectly balanced. Overspun, thick and thin, yes, but perfectly balanced.
This was one of the few times that a shout out to cyber space simply was not enough. I called both Marnie and Andrea, e-mailed Tiffany and Cara - why the hell don't I have your phone numbers? this is ridiculous! - and would have searched madly for MJ's number in my inbox if I hadn't known full well that she was hanging off some cliff face in Utah having "fun". It was just one of those times when I needed you guys in the flesh, rather than on the net - which is always darn great in itself.
Also, Mia asked for a review of the Rose in the comments to my Wheelspun post. I feel somewhat inadequate - okay, very inadequate - to do this, simply because I am so new to wheel spinning. But, I'm not going to let that stop me. I have tried a LOT of wheels in the last month (15 maybe?), so I will try to write up something based on my own experience and the very, very little that I know. Just remember to read it with that caveat. In the meantime, I can tell you that the Rose is my wheel of choice. So much so, that instead of sending it back to The Weaver's Cottage, I'm sending those guys my hard-earned cash. Well, mine and Moxie's. He's paying for half as a Christmas/Birthday present. You knew he had to be nice sometime to make up for all those "witticisms," didn't you?
September 17, 2006
"That someone peed in."
Pinewoods, Tina's Hand Painted Fibers Lemon Sherbet Blue-faced Leicester, procured at the 2005 Rhinebeck Festival by the lovely Cara. Even Moxie admits that this roving is much more evenly spun than the last. With the Chocolate-Covered Cherries, my aim was simply to get used to spinning and to create enough yarn to ply. With the Lemon Sherbet - more Pink Lemonade to my thinking - I'm going for an even yarn, that is a little less overspun to ply into DK to sport weight sock yarn for footies. I think I've got it!
September 16, 2006
In a matter of days - hours, maybe - fall has come to Southern California. For the middle of the day, this means we have temperatures like coastal Canadian summer days - 70's and sunny, dry and perfect. The main changes occur in the night, causing dusk and dawn to be pleasantly chilly. I've put aside my flip-flops for my shearling booties, and this morning, I had to grab Clementine out of the closet to keep cozy, since I refuse to close the screen door or the windows.
Over the last month, I have tried a lot of wheels, and I have even spun up a skeinlette here and there. But this is the first time I've really had to sit down at the Rose - rented from The Weaver's Cottage - and spin a really big hank of yarn. So as not to overwhlem Moxie, who fears that I may be spontaneously transported back to the 17th century where I obviously belong ("Who invited Holly Hobbie into our living room?"), I spun one bobbin of Amy's Chocolate-Covered Cherries each night, and waited until a third night to ply them.
I have to admit that for a while I had to tell myself that it was all about the process. My singles were clearly, seriously, way overspun - so much so that I had little dreadlocks popping up on the bobbin. And the situation didn't improve much with plying, nor did it look better on the niddy-noddy.
Moxie: "Wow! Your first ugly chunky yarn! Tell me again why you wouldn't just buy that finished rather than spending $700 on a wheel? What are you going to knit with that - a hammock?"
But then I tied it off and took it off the niddy-noddy, and everything changed. I won't tell you this is like blocking lace, because honestly, this stuff really is a poor specimen of yarn. The thing is, I love it and I don't care. To me, it looks like designer yarn. I can easily see Colinette selling stuff like this for $30. It's freaking gorgeous. And it's not even too unbalanced, if you look at the shot on the lanterns. The only sticking point is what to knit with it. Perhaps a Christmas gift for Moxie. Heh, heh.
August 21, 2006
Santa Monica Fiber Fest
This past week, I have been completely spoiled with Marnie occupying our guest room and joining me in ultra-crafting adventures every day.
For now, I'll just hit the non-vendor highlights of the festival. We were greeted by three lovely Alpaca outside the Convention Center. I have long wanted to have a small herd of my own, but this little group of animals really cemented that feeling. They had the sweetest faces. The Alpaca were escorted to the festival by the women of Fleece Unlimited - a new group of women Alpaca Ranchers.
Once inside we were able to locate the area where the shawls for the Spindlicity contest were displayed, including our own Marnie's shawl (the orange shawl on the right).
In addition to all the wonderful sights, we were surrounded by good friends. We met up with Caroline, who we met at Andrea's spin-in the previous weekend, and then ran into Andrea as well, who brought her beautiful sister Claudin along for the fun. Claudin didn't craft before, but I think she's ready to start now.
Personally, I got lost in the wheels. My blogging pal and spinning enabler Tiffany recently made the wise observation that I would know my wheel when I saw it, and I think she's right. I got to try out a Majacraft Rose from Carolina Homespun. I loved the wheel and got a lot of special attention from Morgaine, so unless I fall to the siren call of the Schacht Matchless, I will be getting the Rose from Carolina Homespun in December when I go back to San Fran for work. Yippee!
P.S. If any of you have wheel preferences and experiences that you want to share in the comments, I would be thrilled! Until December, I will be window shopping.